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  He asks, “What do you think makes this painting so powerful?” Or, “What do you think this artist is trying to say?” The questions are not stupid. It’s just that you can’t think of how to answer them without sounding stupid yourself. Should you say, “I think the vibrant use of orange really enhances the composition”? Or, “She’s critiquing commodity culture, while also reveling in it”? No! Intellectual conversations, as a woman I briefly dated once admonished me, are like public displays of affection—fun to be in, but mortifying to observe, and in a museum you know you’re being observed.
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